Greenland 2 plays out as a much more generic thriller than its predecessor.
The film at once wrings its premise for whimsical absurdism and slow-burn suspense.
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The film is a subtle variation on the Dardennes’ deceptively simple brand of neorealism.
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Birney discusses where he sees connective tissue between cinema and video games.
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Diaz discusses what he draws from other art forms as inspiration for his cinematic artistry.
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This year can be summed up in one word: surreal.
While the year started off quietly, it ultimately produced a slew of albums that are at turns introspective and ambitious.
In an age of dwindling attention spans, songs are the most discrete commercial musical unit.
Polinger, Blunck, and Martin discuss the film’s chilling depiction of childhood bullying.
In one way or another, the shows on this list were high-risk endeavors that gloriously paid off.
If the pieces of The Queen of Versailles aren’t cohesive, Kristin Chenoweth’s performance is.
The Bill & Ted buddies have a tender rapport Jamie Lloyd’s revival.
This revival makes it hard to imagine its characters loving any version of each other.