Birney discusses where he sees connective tissue between cinema and video games.
The film is a subtle variation on the Dardennes’ deceptively simple brand of neorealism.
We Bury the Dead uses the walking dead to ruminate on loss and closure.
This Anaconda takes only the lightest of jabs at the Hollywood machine.
The first trailer for Nolan’s adaptation of Homer’s epic Greek poem is here.
Polinger, Blunck, and Martin discuss the film’s chilling depiction of childhood bullying.
Fastvold discusses how she sees the film in relation to the history of the U.S. at large.
O’Leary discusses what he learned from working alongside Safdie and Timothée Chalamet.
The filmmakers discuss what keeps them going in their mission of holding power to account.
The film’s twist is a doozy, but it falls just short of being a deconstruction of tradwife values.
The film proves that it’s not quite time to tell this series to walk the plank.
Cameron’s Fire and Ash is effectively a three-hour-plus series of climaxes.
Park and Lee discuss the film’s mordant satire about the cutthroat nature of capitalism.
Arnett and Dern discuss why they resisted intellectualizing their characters during shooting.
Like the worst of Neil Diamond’s songs, the film is desperate to arouse our emotions.
William Golding’s influence is felt in the film’s exploration of teenage social hierarchy.
The comparisons to Paul Greengrass’s queasily forensic docudramas make themselves.