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Wes Greene

Wes Greene is a film writer based out of Philadelphia.

Bullet Train

Bullet Train Review: David Leitch’s Elegantly Paced Ride to Neon-Tinged Mayhem

by Wes Greene
August 2, 2022

Bullet Train pulls off the notable feat of making human beings out of cartoonishly violent psychopaths.

Gone in the Night

Gone in the Night Review: A Wily Mystery That Turns Time Into a Boogeyman

by Wes Greene
July 11, 2022

The film’s ominous atmosphere derives less from the mystery of a disappearance and more from the scary business of getting older.

Good Luck to You, Leo Grande

Good Luck to You, Leo Grande Review: A Heartfelt Two-Hander About Intimacy

by Wes Greene
June 12, 2022

The film abounds in honest and at times disarmingly off-the-cuff moments that are borne out of character contrasts.

The Phantom of the Open

The Phantom of the Open Review: Too Much Hero Worship, Not Enough Satiric Bite

by Wes Greene
May 29, 2022

The film loses its satiric edge as it begins to melodramatically detail how Maurice Flitcroft inherited the mantle of folk hero.

Human Factors

‘Human Factors’ Review: A Gripping, Subversive Look at a Family’s Undoing

by Wes Greene
May 1, 2022

The home invasion at the center of this puzzle-box film is a red herring of sorts.

The Innocents

‘The Innocents’ Review: An Eerie, Cynical Depiction of Children Embracing Evil

by Wes Greene
April 20, 2022

The Innocents adopts a slasher-esque vibe that, however airlessly aestheticized, feels lurid for the sake of being lurid.

Gagarine

‘Gagarine’ Review: A Tender Portrait of Community, Tinged by Unneeded Whimsy

by Wes Greene
March 27, 2022

The film is at its most effective and engaging when simply capturing the vibrancy of a world onto its own.

Infinite Storm

Infinite Storm Review: A Narrow-Minded Depiction of an Incredible Rescue Mission

by Wes Greene
March 22, 2022

Not only does Infinite Storm lack for a complete vision, it’s all too comfortable in settling for mawkishness.

Huda's Salon

Huda’s Salon Review: A White-Knuckle Depiction of a Woman’s Entrapment

by Wes Greene
February 28, 2022

Hany Abu-Assad’s film understands how people use personal despair to justify their extreme ideologies.

Dog

Dog Review: A Comic and Melancholic Look at the Post-War Life of Veterans

by Wes Greene
February 17, 2022

Dog smuggles a nuanced inquiry of a social issue under the guise of popular entertainment.

Last Looks

Last Looks Review: Too Much Genre Posturing, Not Enough Satiric Bite

by Wes Greene
January 31, 2022

Throughout Last Looks, the filmmakers tend to a conventional mystery that could have benefited from more satiric intention.

I Was a Simple Man

Review: I Was a Simple Man Is a Mournful Meditation on Mortality and Statehood

by Wes Greene
November 15, 2021

The film’s quietly uncanny narrative wondrously depicts not only a dying man’s reflection on his life, but also the very nature of Hawaii itself.

Mass

Mass Review: A Brilliantly Acted Portrait of the Totality of Grief’s Presence

by Wes Greene
October 4, 2021

The film’s performances evocatively attest to how people struggle to withhold the agony of their true feelings.

Venom: Let There Be Carnage

Review: ‘Venom: Let There Be Carnage’ Is Lean, Mean, and Pointlessly Cruel

by Wes Greene
September 30, 2021

The title is an assurance that the most action-packed sequences will be defined by loudness, incoherence, and pointless cruelty.

Copshop

Review: ‘Copshop’ Is a Straight Shot of Uncompromising B-Movie Style

by Wes Greene
September 14, 2021

Joe Carnahan’s Copshop effortlessly coasts on a gnarly old-school vibe.

Queenpins

Queenpins Review: Scamming Audiences with Sophomoric Humor and Dubious Politics

by Wes Greene
September 8, 2021

The film’s largely painful humor is informed by the mistaken belief that the main characters’ criminal enterprise is inherently quirky.

Kate

‘Kate’ Review: Stylish Action Doesn’t Offer Respite from a Hollow Narrative

by Wes Greene
September 5, 2021

Kate will leave you wishing that its narrative possessed the same attention to detail as its elaborately violent action set pieces.

Cinderella

Review: Cinderella Is the Hip-to-Be-Square Take on the Fairy Tale You Never Wanted

by Wes Greene
September 1, 2021

With an overload of winking, Kay Cannon’s Cinderella displays a contemptuous attitude toward fairy tales in general.

Mogul Mowgli

Review: Mogul Mowgli Rivetingly Confronts a Rapper’s Cultural Displacement

by Wes Greene
August 29, 2021

The film’s poignancy derives from its profound understanding of its main character’s identity crisis.

Together

Review: Stephen Daldry’s ‘Together’ Sounds the Death Knell for Covid Cinema

by Wes Greene
August 23, 2021

Together’s dramaturgy perfectly, if unintentionally, underscores the suffocating nature of pandemic living.

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