Él remains one of Luis Buñuel’s crowning achievements.
Its brilliance emanates equally from its structure, the acuteness of its gaze, and Edward Yang’s acknowledgement of life as a series of alternately humdrum and catastrophic occurrences.
This is Kenneth Lonergan’s trip down a familiar road where lives will forever be emotionally and inextricably bound.
The Whip and the Body is at once frightening and hysterical, a gothic rendition of a D.H. Lawrence tale.
To think that there are people in America will take the film’s rank sentimentality as an act of humanitarianism.
The film’s simple truths about the nature of family and friendship will give young children something to chew on.